Tarantino, who has an extensive vinyl collection, told Rolling Stone that he was open to using another song for that particular moment, but he tried Stealers Wheel during auditions, and it stuck: "The first time somebody actually did the torture scene to that song, the guy didn't even have a great audition, but it was like watching the movie. And boy, does it make them notable: 1972's "Stuck in the Middle with You" by Stealers Wheel is forever linked to the infamous scene in which Blonde tortures Officer Nash by slicing off his ear. “He’d be like, ‘No, this is how I’d say it.The Reservoir Dogs soundtrack has no original compositions: It is composed entirely of songs that already existed. “He’d take scenes that Josh and Pete would write and then Rockify them,” Bousman said.
As with the “Forrest Gump” scene, Rock would often reimagine the script through his own distinctive lens. “It was a surreal experience because I grew up not only loving his comedy specials but even the cheesy movies he did, like ‘Beverly Hills Ninja’ and ‘New Jack City,’” Bousman said. Rock was a vocal presence throughout much of the screenwriting process.
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“What’s great about Chris is that he’s very opinionated and will make off-handed comments about movie characters that make you go, ‘Fuck, he’s right,’” Bousman said. That gave co-writers Peter Goldfinger and Josh Stolberg a template for the scene. He came to me the next day after we talked about the opening, handed me his pages, and said, ‘It should be something like this.’” “Chris is a big fan of ‘Reservoir Dogs,’” Bousman said. Rock talked extensively about Quentin Tarantino’s “Reservoir Dogs,” particularly its iconic opening scene, which finds the central gangsters debating the meaning of Madonna’s “Like a Virgin.” The result humanizes its characters before revealing their deep moral failings and the crime at the movie’s center. He came to me maybe five days before shooting and said, ‘I gotta do better, it’s the introduction of my character.’” “He was introduced busting a weed dispensary. “Originally the script has Chris’ introduction very different,” Bousman said. In an interview with IndieWire this week, director Darren Lynn Bousman said that the “Forrest Gump” monologue wasn’t just Rock’s idea it actually replaced the original opening of the movie. Quentin Tarantino's Favorite Movies: 35 Films the Director Wants You to See Wes Anderson's Favorite Movies: 35 Films the Auteur Wants You to See As IndieWire’s David Ehrlich writes in his review, “This may be a ‘Saw’ movie starring Chris Rock, but it’s also a Chris Rock movie set in the ’Saw’ universe.”Ĭhris Rock Turned Down 'A Couple Offers' to Join 'The Sopranos' Over Fear He'd Ruin ItĬhris Rock's Set Policy: 'I've Fired People Because They Couldn't Listen to a Woman'
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It’s a twisted punchline to open the latest entry in a series mostly known for hacking people to death in depraved Rube Goldberg-like contraptions, and makes it clear that Rock - who originated the idea for this sequel - clearly had input on the screenplay, even if he doesn’t have a writing credit. Or, as Zeke puts it: “Forrest Gump made a billion dollars selling shrimp, and Jenny still won’t fuck him!”
Ergo: Jenny is the villain of “Forrest Gump.” One of the best scenes of “ Spiral” comes at the start, when Chris Rock’s undercover detective Ezekiel “Zeke” Banks takes a revisionist approach to “ Forrest Gump.” A group of ignorant thieves sit back and listen while Zeke goes off about how poor Forrest (Tom Hanks) is exploited by long-time love interest Jenny (Robin Wright) until she decides to sleep with him toward the end of her life.
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